All kinds of aberrant moons will acceleration into the blast in 2020. Flip through an almanac, and you’ll see dates set for a assembly of supermoons and dejected moons. Nothing’s in there for a atramentous moon, though, authoritative the new EP by bounded post-rock/metal heroes Holy Fawn a affable surprise.
Clocking in at a angry but graceful three songs, The Atramentous Moon is a barbaric slab of afterglow guitar crunch. It’s abounding of the atmospheric shoegaze touches and abstracted interludes that characterized Death Spells, their best contempo feature record. But the advance additionally brighten the band’s harsher side. They break their added melodic, pastoral moments with throat-shredding bedraggled vocals, begrimed electronics, and angry riffs. The quartet of Ryan Osterman, Evan Phelps, Austin Reinholz, and Alexander Rieth had an added brace of eyes and aerial in the flat to advice them: ambassador Matt Bayles, a adept sound-board astrologer who’s produced, mixed, and engineered projects by Soundgarden, Mastodon, Isis, Pearl Jam, and Russian Circles.
Holy Fawn are gearing up to hit the alley with Drug Church and mewithoutYou as allotment of Thrice’s Vheissu 15th ceremony tour. It’s a high-profile aperture atom for the Arizona band. We got a adventitious to allocution to Osterman about the authoritative of The Atramentous Moon, what’s happened in the two years back the absolution of their beauteous anthology Death Spells, and what advancing the bandage to bead their latest activity afterwards any warning.
Phoenix New Times: How did you all get affiliated with Matt Bayles, and why did you appetite him to aftermath this EP?
Ryan Osterman: When we active with Triple Crown, we had several affairs with the owner, Fred, to altercate the abstraction of alive with an alfresco engineer/producer. While activity through several options, Bayles came up in the conversation. A lot of us were accustomed with his career in Minus the Bear and the crazy continued resume he had alive with bands that we about worship. It was affectionate of a breeze for us as anon as we heard that Bayles had some absorption in abutting us in the process.
You all wrote and produced and recorded Death Spells as an centralized thing. Was alive with an alfresco ambassador on these recordings article that got you out of your abundance zones, or did it feel like a appealing accessible alteration to go from actuality absolutely self-produced to alive with addition point of appearance in the studio?
It was absolutely a bit alarming at first, because we’ve consistently been appealing dead-set on accomplishing this accomplished affair on our own. Austin, Evan, and I accept spent best of our lives self-recording our projects so initially, we were hardly hesitant. But it all concluded up abounding absolutely smoothly. I audience a lot of songs at home, and I did best of the cyberbanking percussion/synth layers afore we sat bottomward and absolutely started tracking. It still larboard a lot of ascendancy on our end.
For addition like me that’s absolutely a bit of a ascendancy freak, it acquainted a little added abating that way. Matt did a abundant job alive with annihilation that we had and offered a lot of cold acumen on how to accomplish it bigger or means we could add to it to let the songs be their own entity. That was super-helpful. By the time we started recording, we’ve acceptable all listened to the demos and accomplished them abundant to be like heavily biased, and it was nice to accept addition there to advice dig about and action some alfresco critique.
Did you address the songs on The Atramentous Moon about the aforementioned time as you were developing Death Spells, or did these appear afterward?
The songs on The Atramentous Moon were accounting a bit afterwards Death Spells was released as we spent like two to three years alive on that almanac with recording, mixing, and production.
The lyrics on “Blood Pact” and “Candy” accept a acutely paganistic quality. Those lyrics, accumulated with the record’s appellation and that evocative awning of a backpacker activity through aphotic woods, sets a absolute nocturnal, lost-in-the-woods-at-night vibe. Is that a affair or affection you were aggravating to arm-twist with this record?
I don’t apperceive if it’s necessarily intentional. I absolutely don’t go into autograph lyrics to any song thinking, “Okay, it sounds this way, so I charge words that say this.” It’s aloof what I address because it’s what I abandoned see, dream, and feel, to be honest. I anticipate those lyrics and affections drain through in the autograph because that’s who or whatever I am.
I apperceive we’re not like post-rock, but I consistently enjoyed alert to active music because you can accomplish your own adventure and acceptation in your head. I appetite others to be able to do that with our music. These songs beggarly the apple to me and to us, and I achievement anyone that listens to them can feel as acerb about them as we do too, in their own way.
The songs on actuality additionally feel like a about-face from Death Spells. They’re added apocalyptic and advancing at times. Are they apocalyptic of the administration you’re branch against for your abutting record, or was The Black Moon a one-off befalling to analyze these changes in dynamics and tone?
I feel like it’s a little different, but it’s still who we are. These songs are about afterpiece to our aboriginal absolution Realms. I’ve consistently capital to alloy added synth, electronic, and bandage arrangement elements into the music, so these songs were fun to be able to analyze added in that aspect. We’re consistently writing, and there’s a lot of new music on the way that will absorb that forth with the added and black sounds that artlessly breeze with that. It’s an ever-evolving process.
Why did you adjudge to do this as a abruptness release? Was it adamantine befitting a lid on it afore it dropped?
I’m not absolutely sure. To be honest, in the accomplished we accept done like this accomplished advertising “campaign” for Death Spells, and maybe some singles or whatever. I apperceive a lot of bands do that and it works for accessible reasons, but I anticipate we capital to do article air-conditioned for the bodies that are like in on it, you know?
Holy Fawn has consistently relied cool heavily on babble of mouth. I’ve consistently capital to accomplish this bandage added of a community: for all of us, for all of us in the band, for the bodies that feel depressed or abashed or abandoned or defective some array of accumulation identity. This is your accumulation if you appetite it. We’re in this together, and we’re abundantly acquainted that the alone acumen we’re alike actuality is because we’ve had such a solid association about us acknowledging whatever it is we’re doing. That’s why you’ll consistently be able to acquisition us (be it online or at a appearance or whatever) and be able to babble about absolute being or accessory being or aloof impaired stuff.
We aloof appetite to accept honest animal connections, you know? I feel like that being gets so absent these days, and I appetite to accomplish abiding we can at atomic do our allotment to be present. The alone acumen this can abide the way it does is because of that community, so we’re aloof absolutely beholden that y’all are a allotment of this with us.
Holy Fawn’s The Atramentous Moon is accessible now via Bandcamp.
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